roteiro do documentario em ingles.!

VIDEO 1
AUDIO 1
[Music begins to start the documentary]
[Put image of the official emblem of the city of Sao Paulo]
[The presenter appears to be standing up to zoom]
narrator : "I am not led, I lead", that is the motto of the city of São Paulo: Brazilian city, capital of São Paulo and the main commercial and financial center of Latin America, a city known worldwide and has significant national and international influence culturally, economically or politically.[Place ranking of the richest cities in the world] It is the tenth richest city in the world, where the council stands alone, 12.26% of the entire GDP of Brazil, has 0.841 in the range 0-1 of the HDI, or high level.
São Paulo is the most multicultural city in Brazil and one of the most diverse in the world. According to the 2000 census of the IBGE, the population of São Paulo [Picture of ethnic differences]is composed of whites (68%),brown (25%), blacks (5.1%), yellow (2%) and Indians (0,2%).
The city already had a population of African descent in the nineteenth century, but was from the second half of the twentieth century that the population of African origin grew rapidly through
the arrival of people from other states. [Put image of Africa with 30% of the population in Sao Paulo] According to the IBGE, in 2005, at least about 30% of the population of the city had some
African ancestry.

VIDEO 2
AUDIO 2
[Character first appears sitting in a library]
Character first: The foundation of São Paulo is part of the process of occupation and exploitation of American land by the Portuguese from the sixteenth century. Initially, the settlers founded the town of Santo André da Borda do Campo (1553), constantly threatened by the
indians of the region.[Put image of the founding of São Paulo] At that time, a group of priests from the Society of Jesus, which included [Put image of the statue of Jose de Nobrega in Cathedral Square] José de Anchieta and [colocar imagem de estatua Manuel da Nóbrega] Manoel da Nobrega, climbed the “Serra Do Mar”(mountain of the sea), from Santos and São Vicente, reaching [colocar imagem do planalto de Piratininga] the Piratininga plateau where
they found, from the standpoint of security and topographic location, the perfect location: it stood on a high hill and flat, surrounded by two rivers, [Still on the plateau of Piratininga image, zoom in river Tamanduateí] Tamanduateí and [Still on the plateau of Piratininga image, zoom in river Anhangabaú]Anhangabaú.
[Put image of the Courtyard of the College]In this place, they founded the Jesuit School in January 25, 1554, around which it started the construction of the first mud houses which would lead to the village of São Paulo de Piratininga, or as
it is better known today, São Paulo.
The name São Paulo was chosen because on January 25 was the day of conversion of the Apostle Paul of Tarsus, as informed Father José de Anchieta in a letter to his superiors of the Society of Jesus: [Download excerpt of the letter on the screen]
"The Year January 25, 1554 we celebrate the Lord in very poor and
very narrow house, the first mass, on the conversion of St. Paul,
and therefore we dedicate to him our house!"
[Put image before and after 3]In 1560, the village earned the privileges of a Village and pillory, but the distance from the coast, the commercial isolation and inadequate land for the cultivation [Put image before and after 2] of exportable products, ordered the town to occupy an insignificant position in Portuguese America for centuries.[Put image before and after 1]
Therefore, it was limited to what we now call the Old Center(Old Downtown) of São Paulo or the historical triangle [Put image of the historic Triangle], whose vertices are the Convent of São Francisco, São Bento and Do Carmo. Until the nineteenth century, the streets of the triangle (current Direita Street, November XV Street and São Bento Street) concentrated on trade, banking network and key services. As we have noted, the city of São Paulo was born in the city center (downtown) and was developed around it, so the architecture in this region is older and has neo-Gothic and neoclassical styles.
The area of Liverdade(Liberty) was a pillory, hence the name. There was a whole prejudice: the noble were bothered with the slaves who were at the center and ended up sending these blacks to the suburbs. Slaves had to build their own "churches" to practice their religion in hiding, after all, they could not enter and/or attend the church of the Nobles. An example of such an area for
blacks is the Church of Our Lady of the Rosary of Black Men that is located in Largo Passaindu.
You can identify where blacks and slaves were located, because these places are neglected, so to speak. The houses of the nobles and the blacks were very different, and these differences are very clear when comparing the colors, windows, doors etc.. After all, the nobles would not mix with the "scum”. That was the old downtown, the new downtown was built in the
twentieth century.[Put image avenue Tiradentes] With the industrial growth of the city, its urbanized area has increased at an accelerated pace, with some residential neighborhoods built in places of small farms. [Put Image Anhangabaú]
The city goes through a process of transformation in its economic profile, becoming an [Put image of the Tiete] industrial center to a center of trade, services and technology and is currently one of the most important cities in Latin America. [Put image higienópolis]


VIDEO 3
AUDIO 3
[Presenter shooting again]
[Presenter to zoom in]
Presenter: [image put Africa - Brazil] The black Africans have much influence and importance to both metróple Sao Paulo for Brazil as a whole. About 37% of all slaves brought to the Americas, came to Brazil, mostly men.
For nearly four centuries, black Africans were rounded up and taken to Brazil to work as slaves. [Put image of slaves] Separated from their families forever, its people, its land Africans were gradually adapting to a new language, new customs, new country. They were mingling with the white European settlers and the Indians of the earth, forming the Brazilian population and its culture. As in other Latin American countries, the contribution of Africans in the formation of Brazil was essential both in the physical composition of the population regarding the conformation of what would be their culture, which includes dimensions such as language, cuisine, religion, music, beauty, values social and mental structures.
The captive was no longer attached to the abode of Lord, worked for clients such as the slave of gain, and no longer lived in the slave quarters [put image of the slave quarters] isolated in large plantations in the interior, but was added in collective residences concentrated in urban areas near its labor market. When it was created in Brazil, at a time when traditions and languages were alive because of recent arrival, which is perhaps the most well-rounded cultural reconstitution of the Negro in Brazil, able to preserve until the present day: religion african-Brazilian. [Put image religion african Brazilian]
And as part of worship, and simultaneously as a constitutive element of daily black, preserved in Brazil one of the richest lodes of African cultural: music, more specifically, religious music, with its rhythms, instruments and ways of poetic composition.
Born african-Brazilian religion [put image of deities] of the deities, and voduns inquices called Candomblé [put image Candomblé] first in Bahia and then across the country, has also received local names such as Xango in Pernambuco, barrel-of- mine in Maranhao, drumming in Rio Grande do Sul
Letters chanted in ritual language of Bantu origin, sounding the drums with your palms and fingers while the Yorubas do with sticks, the Candomblé Angola and Congo, as the temples are called Bantu, sing a type of music and it was precisely the sacred music of Candomblé Bantu who later formed a genre of popular music that came to be an important source of national identity in Brazil: samba. [Put image samba]
In Brazil there was a big return to Bahia, with the rediscovery of its rhythms, flavors and culinary whole culture of Candomblé. The Brazilian arts in general gained new information, the tourism of the middle classes of Southeast elected new flow towards Salvador and other parts of the Northeast. [Put image cuisine african-brazilian] Bahian food, nothing more than food votive of yards, went to every table, and so on. [Put image of African instruments] Ia is completing now so wide open, a resume of African influences in Brazilian culture. [Put image of capoeira]


VIDEO 4
AUDIO 4
[Appears presenter]
[Presenter starts to walk in space]
Presenter: As we have seen, blacks have great importance in shaping the culture we have today throughout the country, including in our city and are very much present in each one of us. [Put image "we are all Africans"]
I hope you enjoyed our special documentary on St. Paul African - rescuing the memory of a people. Until next time.


VIDEO 5
[Appears in the poem I'm Negro]
[Background with a picture of Africa and with a picture of Coat of São Paulo]
[Narrator pronounces the poem]

Storyteller: I'm Black
My grandparents were burned
The sun of Africa
My soul has received the baptism of drums drums, and Gongu agogôs
I was told that my grandparents
They came from Loanda
As low-priced commodity planted sugarcane plantation master of new pro
And founded the first Maracatu.
After my grandfather fought as a mad lands Zombie
It was brave as what
In poultry or knife
Wrote not read
The cock ate
There was a father John
Humble and Meek
Even grandma was not a joke
In war Malê
She stood
In my soul was
Samba
The drumming
The wobble
And the desire to release ...

(Solano Trindade)

[Put image of black poem]
[Write music - "finish the documentary]